frightening ass film festival

FAFF4 Final Schedule is here! See you on Halloween!

The Info you need:

  • What: Frightening Ass Film Fest 4!
  • Date: October 31st, the best night of the year.
  • Time: 7:00 PM to 2:30 AM
  • Where: Barking Legs Theater
  • Scary movies, shorts, music, costumes, comedy and more!
  • Cost: $10
  • Event Page – GO, RSVP!

The Final Schedule:

  • 6:00 PM – Door’s Open
  • 6:30 PM – MES Halloween Preshow
  • 7:00 PM – Frightening Ass Filmmaking Challenge (Short Films)
  • 7:30 PM – First Comedy Palette Cleanser

Demon’s Rook with Q&A (1hr50min)

  • 9:30 PM – Second Comedy Palette Cleanser

The Babadook (1hr33min)

  • 11:00 PM – Third Comedy Palette Cleanser

Jeff Burr salutes Leatherface/Texas Chainsaw Massacre 40th Anniversary Edition

  • 12:30 AM – Final Comedy Palette Cleanser/Costume Contest Judged/Musical Guest White Reaper
  • 1:00 AM  – Musical Guest Socro

Be there!

All times are subject to change.

frightening ass film festival 2014

Frightening Ass Film Fest Four!

  • Date: October 31st, the best night of the year.
  • Time: 7:00 PM to 2:30 AM
  • Where: Barking Legs Theater
  • What: The 4th year of our Mise En Scenesters Frightening Ass Film Fest.
  • Scary movies, shorts, music, costumes, comedy and more!
  • Cost: $10
  • Event Page – GO, RSVP!


First up our second annual FRIGHTENING ASS FILMMAKING CONTEST. Unlike last year there is no entry fee to submit a film this year. The rules are simple. Make a 3 to 5 minute short film that frightens our asses off. The best block of entries we receive will be screened and baller ass prize package shall find their way into the hands of the winners. Deadline for submission is October 15th. (Submissions should ideally be via private Youtube and Vimeo links)

COSTUME CONTEST: Freak us out guys. We need it. As per FAFF’s past the winner shall be rewarded with a FAFF Prize Package that is filled with a number of awfully exciting things.

Continue reading

Short Cuts – Mad Max: Fury Road

San Diego Comic Con tok place over the weekend, and the pop culture advertising machine was out in full force. Instead of spending time sharing with you the recaps of 15 second clips or the hints at possible sequels, I wanted to take a moment for the single coolest thing to come out of the con. George Miller, the man behind the first three films in the Mad Max series, is back for a bonkers fourth installment. Tom Hardy takes over for Mel Gibson, and if the word on the street and the little glimpse seen in the trailer is any indicator, he’s the man for the job. Check out the trailer:

Short Cuts: Hercules in New York (1969)

In honor of the mostly terrible, but definitely funny HerculesI present to you the trailer for the Arnold Schwarzenegger film that started it all. Dwayne Johnson may be our most popular young strongman, but Arnold is the strongman. But you know what? We all have to start somewhere, and I can’t think of a better place than New York City…

Short Cuts: Fall 2014 Movies

So much traveling has killed my productivity on Short Cuts, but I’m grounded again and off to the races. I decided to come back with a grouping of 2014 movies that are coming as the summer movie season dies down. You will find no Interstellar or Hunger Games here. This is a mixed bag of the scary, the weird, the different, the violent, and the intriguing that 2014 will have to offer. I’m sure I’ll do one for the harder to find films coming this fall. Consider these counter-programming to the other wide release award bait that will begin to float around in the near future.

The Drop

Tom Hardy, Noomi Rapace, and James Gandolfini in his last role based on a short story by Dennis Lehane.

Continue reading

Lukas Moodysson

Arthouse Asskickers: Lukas Moodysson

Welcome to Arthouse Asskickers, a series in which we’ll be profiling the bad boys (and some bad girls) of arthouse cinema. We’ve previously discussed Bela Tarr in this column, and we’ve decided to revive it as MES continues to provide you the best in film from around the world and of every taste. In honor of our upcoming screening of We Are the Best! (July 12th, come out!), we’re profiling Swedish director Lukas Moodysson.

Knowing that I was going to write this column, I recently watched all of Moodysson’s filmography for the first time, sans Together, which I saw years ago because of Filmspotting. I started with 2004’s A Hole In My Heart and worked my back and forth ending with 2009’s Mammoth. I had no rhyme or reason to my watching order, and I believe that was for the best. Moodysson’s filmography plays like an artistic mix-tape. The highs and lows of tracks are replaced by the varying stylistic intensities of each film.

Continue reading

Short Cuts: The Films of Lukas Moodysson

Coming soon to the MES screening near you, Lukas Moodysson’s We Are the Best! That screening is on: Saturday, July 12 at 8:30pm – 11:00pm at the Barking Legs Theater. Until then, we’ve got the return of one of our favorite columns, Arthouse Asskickers this weekend to discuss Moodysson and his plethora of unique and soul wrenching films (soul wrenching is not always bad, sometimes your soul needs a good wrenching and The Notebook is not the answer…ever). In order to prime you for both the article and the screening, I present a very Moodysson Short Cuts Column. Here are all of the trailers to all of Moodysson’s films including We Are the Best!

Fucking Amal/Show Me Love (1998)


Continue reading

Short Cuts: The Texas Chainsaw Massacre (1974)

If you came to the screening of The Doubleyou will understand why this is here. If you didn’t make it out to that screening…stay tuned.

Short Cuts: The Fat Black Pussycat (1963)

Chris first showed me this trailer a few weeks ago. I’ve decided that the best way to share it with you all is to just leave it right here…


Read This: Tales From Development Hell

You know all those times you sat around and talked about that sequel that never was or the insane casting of a classic hero that never made the big screen? Ever knock back a few and dream about the films you always wanted to see, but for some unknown reason never came to be. We won’t always get answers to why certain projects never get made, and our conversations will never die. However, Tales From Development Hell is a book made to fuel these conversations. Author David Hughes spends each chapter discussing the failed visions of writers and filmmakers in the last 30 years of Hollywood Blockbuster productions.

Continue reading